Blog
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Written by Cindy Yamauchi
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I work as a character designer for one of the Madhouse's TV series, scheduled to be aired next year. I'm not supposed to say anything about the project, so I'll keep this within my general experience.
This is my first time to be part of a character designer team. I always considered myself an animator, not a designer, so this position had never been the focus of my career. There were couple of reasons I accepted the offer - one was financial, and the other creative. '07 was a lean year for the anime industry. Sure, there still were tons of films being created, but the number of new shows was nowhere near the level of previous years. Luckily, I still had enough work to get by, but I chose to make my move to 3D animation until something more substantial came by. It was right around the time I notified the Madhouse general producer that I'll be helping out on Rintaro's CG feature film Yona Yona Penguin when I was offered the current position as a character designer for the new TV show. As mentioned before, I was never all that enthusiastic about being a character designer, but the manga that the anime will be based on was one of my favorites, and its art style matched my own very well. I also had to consider that business that year was definitely going to be slow, and having that steady income for a set period of time was very attractive. I decided to take on the responsibility.
As it turns out, pre-production wasn't starting right away, so I fulfilled my obligations at the CG studio and returned to Madhouse to work on the new show. Since the show was expected to have an insane number of different characters and variations of them, there are 5 character designers on board, including myself. I've never heard or experienced a production that required so many designers, all drawing in different styles. When the anime is based on a particular manga, which it often is, that material is the bible for all of us involved to base our work on. And in an ideal world, we all interpret the material the same way - but naturally, that never happens. This chemistry is what makes anime interesting, though. Otherwise, you will end up with a show that looks and flows exactly like the manga, with no element of surprise. What I hope to accomplish through my work is to maintain the integrity of the original characters, but to have a touch of anime-inspired treatment to them. This show should be announced officially very soon, hopefully by early next year. i could probably disclose more tidbits of the actual work once it airs on TV.
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Written by Cindy Yamauchi
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Earlier this week, a fire broke out in a run-down warehouse right in front the building where Madhouse is located. One of the coordinators came up to and told me about the fire. My desk is right next to the window, so I was able to get a good view of the smoke billowing out of the building. It was quite embarrassing that I didn't see that until someone alerted me. Right then, I noticed the strong smell of smoke wafting through our floor, but no one around me seemed to care. If those colleagues of mine were to drop dead from carbon monoxide poisoning or smoke inhalation, I bet they'd think they're simply fatigued from overwork. I wonder what it takes to alarm this bunch of desensitized guys.
I went downstairs to check it out. There was a big crowd of people looking up at the flames as the firefighters made their way inside the building. Fortunately, no one was hurt, and the fire was extinguished after about 40 minutes. I took a snapshot of it with my keitai (cell phone).
Come to think of it, this is actually the second time in my life for a building in front of my workplace to burn down. It better not happen a third time...
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Written by Cindy Yamauchi
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Madhouse, the animation studio I'm currently working for, arranges for an annual medical checkup for all their workers (both employees and freelancers) every November. I'm one of those lazy ones who don't bother to go to hospitals on my own to get it done, so I take advantage of it every year. The average age of the workers at Madhouse is pretty high for an animation studio, and the administrative office obviously have taken notice of that.
This year, we had more options in addition to the standard tests for those over 35, including barium x-ray and checkup for metabolic syndrome (fancy way of saying you're fat.) Okay, all that sounded good to me, so I signed up for this option. The x-ray truck was parked outside on the windy side of the building. They pitched a tent and set up flimsy partitions to serve as a waiting area, and a place for women to change their clothes. Being the first woman in line for the x-ray, I was told by the technician to take my clothes off and change into a smock. The tent was so small that I had to squeeze myself in, and as I took my clothes off, the partition on one side got knocked down by a gust of wind. Never a boring moment in Cindy's life.
I was still hidden from the eyes of my male colleagues, but I was definitely in full view of anyone who might be walking towards the truck (luckily, no one did.) The guys were equally in shock. One of the producers yelled at me, "Cindy-saaan, we can't help you! Do something!" Heck, yeah, I would, if both of my arms weren't stuck in my sweater.
The technicians came running and started to tape up the partition with me still inside. I asked them if I may step out first, but I guess that thought didn't occur to them. I barely got through the narrow space between the tent wall and the partition and made my great escape.
After that excitement was over, my turn came to get the x-ray done. I was given a small cup of fizzy granules and had to wash it down with barium. Those who had ever gone through this procedure know how hard it is to swallow an entire cup of that gooey substance. But as bad as the barium was, the fizz was even worse, almost painful, like drinking Coke with Pop Rocks in your mouth. The x-ray machine in the truck was not nearly as sophisticated as the ones found in the clinics. The machine inclined but was not built to rotate, probably due to the fact that there was no space to do so inside the truck. Once I laid down on the table, a voice from the speaker ordered me to turn over three times to the right. Then to the left. Grab the bars and hold your breath, then turn to the side, to the left, shift to the right, just lay face down and raise your hips... Just when I thought I was going to hurl from these square dancing moves, the procedure was over.
I'll find out if this ordeal was all worth it or not very soon. In any case, I'm glad that this comes around only once a year.
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